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At Home in the World

At Home in the World

By José Parlá
Blackness Is Also How We Survive: The Innovation of Black Horror in Two New Anthologies (on Out There Screaming: An Anthology of New Black Horror, edited by Jordan Peele and John Joseph Adams, and The Black Girl Survives in This One: Horror Stories, edited by Desiree S. Evans and Saraciea J. Fennell)

Blackness Is Also How We Survive: The Innovation of Black Horror in Two New Anthologies (on Out There Screaming: An Anthology of New Black Horror, edited by Jordan Peele and John Joseph Adams, and The Black Girl Survives in This One: Horror Stories, edited by Desiree S. Evans and Saraciea J. Fennell)

By Jalondra A. Davis Jasmine Moore-Strickland
Bundle & Save with The Georgia Review

Bundle & Save with The Georgia Review

Tripas Wins the Pulitzer Prize for Poetry

Tripas Wins the Pulitzer Prize for Poetry

Current Issue

Fall 2025

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The Georgia Review’s Fall 2025 issue is now available, with new writing from Natalie Scenters-Zapico, Craig Morgan Teicher, Gabrielle Lucille Fuentes, Leila Chatti, and many more, along with new translations of Filipino author Carlo Paulo Pacolor, Taiwanese novelist Tong Wei-Ger, and the pioneering Swedish modernist poet Edith Södergran, and a folio of paintings and multimedia work by José Parlá. The issue also includes the latest offering from Georgia Review Critic-at-Large Tope Folarin. 

EXPLORE THE ISSUE
We’re Thinking of You, Your Name

We’re Thinking of You, Your Name

By Olivia Clare Friedman
Lost Baby Poem & Someday I’ll Love Leila Chatti

Lost Baby Poem & Someday I’ll Love Leila Chatti

By Leila Chatti
What Seems Motionless Waits

What Seems Motionless Waits

By Silvina López Medin
St. John the Wondermaker

St. John the Wondermaker

By Rebecca E. Williams
Two Versions of the Sea & After This, translated from the Filipino by So...

Two Versions of the Sea & After This, translated from the Filipino by So...

By Carlo Paulo Pacolor
These Rivers, the United States, & Me

These Rivers, the United States, & Me

By Natalie Scenters-Zapico
From Anam

From Anam

By André Dao
Night Fright Fest; Failed Wife Enterprise; Unrecorded Losses in War; & R...

Night Fright Fest; Failed Wife Enterprise; Unrecorded Losses in War; & R...

By Hafsah Mujalli

Features

We’re Thinking of You, Your Name

We’re Thinking of You, Your Name

By Olivia Clare Friedman
Lost Baby Poem & Someday I’ll Love Leila Chatti

Lost Baby Poem & Someday I’ll Love Leila Chatti

By Leila Chatti
What Seems Motionless Waits

What Seems Motionless Waits

By Silvina López Medin
St. John the Wondermaker

St. John the Wondermaker

By Rebecca E. Williams
Two Versions of the Sea & After This, translated from the Filipino by So...

Two Versions of the Sea & After This, translated from the Filipino by So...

By Carlo Paulo Pacolor
These Rivers, the United States, & Me

These Rivers, the United States, & Me

By Natalie Scenters-Zapico
From Anam

From Anam

By André Dao
Night Fright Fest; Failed Wife Enterprise; Unrecorded Losses in War; & R...

Night Fright Fest; Failed Wife Enterprise; Unrecorded Losses in War; & R...

By Hafsah Mujalli

Art

At Home in the World

At Home in the World

By José Parlá
Devotions in Light and Shadow

Devotions in Light and Shadow

By Nadezda Nikolova
Soft Machines, Tough Love

Soft Machines, Tough Love

By Victoria Dugger
Portraits from Another New South

Portraits from Another New South

By Tommy Kha
Fission or, Eclipse  (with an introduction by Katie Geha)

Fission or, Eclipse  (with an introduction by Katie Geha)

By Rose Salane
The Space Between Things

The Space Between Things

By Garry Noland
Architecture and Song

Architecture and Song

By Hasani Sahlehe
Just Is

Just Is

By Antonio Darden
This Is the House that Cotton Built (fold-out insert)

This Is the House that Cotton Built (fold-out insert)

By Guncotton
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Reviews

on S Is For by William Archila

on S Is For by William Archila

By Brent Ameneyro
on A Night in the Country by Laura Newbern

on A Night in the Country by Laura Newbern

By Jonathan Blunk
Blackness Is Also How We Survive: The Innovation of Black Horror in Two New...

Blackness Is Also How We Survive: The Innovation of Black Horror in Two New...

By Jalondra A. Davis Jasmine Moore-Strickland
Making Adult Love (on J. M. Coetzee’s The Pole)

Making Adult Love (on J. M. Coetzee’s The Pole)

By Charles Altieri
Art on Borrowed Time (on the exhibitions Elizabeth Catlett: A Black Revolutionary Artist and...

Art on Borrowed Time (on the exhibitions Elizabeth Catlett: A Black Revolutionary Artist and...

By Tope Folarin
on Fog and Smoke by Katie Peterson

on Fog and Smoke by Katie Peterson

By Ben Rutherfurd
on Toshiko Takaezu: Shaping Abstraction

on Toshiko Takaezu: Shaping Abstraction

By Eva Recinos
on Dark Souvenirs by John Amen

on Dark Souvenirs by John Amen

By Bruce Bond
William Wells Brown: The Modern World from the Standpoint of Its Victims (on Ezra...

William Wells Brown: The Modern World from the Standpoint of Its Victims (on Ezra...

By Ian Litwin
on My Lesbian Novel by Renee Gladman

on My Lesbian Novel by Renee Gladman

By Tope Folarin
on Tongueless by Lau Yee-Wa, translated by Jennifer Feeley

on Tongueless by Lau Yee-Wa, translated by Jennifer Feeley

By Aila Hoss
on Death Styles by Joyelle McSweeney

on Death Styles by Joyelle McSweeney

By Amish Trivedi
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Reviews

on S Is For by William Archila

on S Is For by William Archila

By Brent Ameneyro
on A Night in the Country by Laura Newbern

on A Night in the Country by Laura Newbern

By Jonathan Blunk
Blackness Is Also How We Survive: The Innovation of Black Horror...

Blackness Is Also How We Survive: The Innovation of Black Horror...

By Jalondra A. Davis Jasmine Moore-Strickland
Making Adult Love (on J. M. Coetzee’s The Pole)

Making Adult Love (on J. M. Coetzee’s The Pole)

By Charles Altieri
Art on Borrowed Time (on the exhibitions Elizabeth Catlett: A Black...

Art on Borrowed Time (on the exhibitions Elizabeth Catlett: A Black...

By Tope Folarin
on Fog and Smoke by Katie Peterson

on Fog and Smoke by Katie Peterson

By Ben Rutherfurd
on Toshiko Takaezu: Shaping Abstraction

on Toshiko Takaezu: Shaping Abstraction

By Eva Recinos
on Dark Souvenirs by John Amen

on Dark Souvenirs by John Amen

By Bruce Bond
William Wells Brown: The Modern World from the Standpoint of Its...

William Wells Brown: The Modern World from the Standpoint of Its...

By Ian Litwin
on My Lesbian Novel by Renee Gladman

on My Lesbian Novel by Renee Gladman

By Tope Folarin
on Tongueless by Lau Yee-Wa, translated by Jennifer Feeley

on Tongueless by Lau Yee-Wa, translated by Jennifer Feeley

By Aila Hoss
on Death Styles by Joyelle McSweeney

on Death Styles by Joyelle McSweeney

By Amish Trivedi
View All Reviews

News

Meet Our New Poetry Editor: Noah Baldino

Brandon Som Selects the Winner of the 2025 Loraine Williams Poetry Prize

Allegra Hyde Selects Winner of the 2025 Georgia Review Prose Prize

NEA Logo

The Georgia Review to Receive $12,500 Award from the National Endowment for the Arts

Cole Swensen Selects the Winner of the 2024 Loraine Williams Poetry Prize

Spring Letter to our Readers

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Events

Book Reading: Hanna Pylväinen

December 2 @ 6:00 pm
Ramsey Concert Hall
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