One weeps in the theater, and then runs all the more cheerfully to oppress one’s fellow men. —Rousseau, Letter to M. d’Alembert (1758) […]
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Mirror is the first book by Zhang Zao (1962–2010) to be translated into English—which means that when his Chinese poems look at the facing pages, they are seeing themselves in […]
Read MoreI suppose I shouldn’t give away my secrets right from the off, but then I am trying to persuade you to read what follows. So, to that end: You should […]
Read More“I See It Feelingly”: On Criticism in Dark Times (on Nan Z. Da’s The Chinese Tragedy of King Lear)
Because I teach writing at a university, and because being a writer is presumably a prerequisite for having this job, I am frequently asked what I think identifies someone as […]
Read MoreAt Spaceport America, “the world’s first purpose-built commercial spaceport,” located in Truth or Consequences, New Mexico, a variety of offerings await visitors: a tour of the hangar, artistic depictions of […]
Read MoreI came to Spencer Reece’s poetry through the Best American Poetry series. His anthologized poem, “The Road to Emmaus,” which turned out to be the title poem of his second […]
Read MoreWatching Leon Gast’s When We Were Kings as a college freshman, I hadn’t known who the winner was between defending heavyweight champion George Foreman and Muhammad Ali in their now-iconic […]
Read MoreAyşegül Savaş is one of the more assured young novelists working today, a writer whose work has been longlisted for major awards (like the National Book Critics Circle award) and […]
Read MoreThe Thrill of Rupture with Two Irish Poets (on Trevor Joyce’s Conspiracy and Randolph Healy’s The Electron-Ghost Casino)
To be online, especially very online, in recent years means receiving an intimate, seemingly infinite delivery of disparate conversations and media, some intersecting or repeating, all alongside hot takes, a […]
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