on The Kármán Line by Daisy Atterbury

At Spaceport America, “the world’s first purpose-built commercial spaceport,” located in Truth or Consequences, New Mexico, a variety of offerings await visitors: a tour of the hangar, artistic depictions of the region’s history, a food truck, an open bar, and …

Emma Kahn is a PhD student in anthropology at Brown University. Her work focuses on trajectories of urban planning in the U.S., with particular focus on housing and land use in the American Southwest. She is principally interested in how urbanists contend with the fraught landscapes they inherit and the knotty futures they formulate. Her scholarship draws on her previous work as an affordable housing project manager and a caseworker for detained asylum seekers.

on Acts by Spencer Reece

I came to Spencer Reece’s poetry through the Best American Poetry series. His anthologized poem, “The Road to Emmaus,” which turned out to be the title poem of his second collection, seemed an unlikely, braided short story. I still go …

Okwudili Nebeolisa is the author of Terminal Maladies (Autumn House Press, 2024), winner of the Center for African American Poetry and Poetics Prize and a finalist for the Lambda Literary Award for Best Gay Poetry and the Hurston/Wright Legacy Award. He studied poetry at the Iowa Writers’ Workshop and is currently studying fiction at the University of Minnesota. His poems have appeared in Poetry, The Sewanee Review, Shenandoah, and Threepenny Review.

on Crisis Actor by Declan Ryan

Watching Leon Gast’s When We Were Kings as a college freshman, I hadn’t known who the winner was between defending heavyweight champion George Foreman and Muhammad Ali in their now-iconic 1974 matchup in Zaire. Then, this March, the BBC announced …

Erick Verran is the author of Obiter Dicta (Punctum Books, 2021) and a PhD candidate at the University of Utah. His writing has appeared in American Poetry Review, Gulf Coast, Harvard Review, Literary Matters, Los Angeles Review of Books, The Massachusetts Review, The Cleveland Review of Books, and many other journals. He lives in Salt Lake City.

on The Anthropologists by Ayşegül Savaş

Ayşegül Savaş is one of the more assured young novelists working today, a writer whose work has been longlisted for major awards (like the National Book Critics Circle award) and received a mention in Barack Obama’s annual year-end list of …

Jonathan Russell Clark is the author of the forthcoming Timecodes: The Conversation (Bloomsbury, 2026), Skateboard (Bloomsbury, 2022), and An Oasis of Horror in a Desert of Boredom (Fiction Advocate, 2018). His writing has appeared in The New York Times, Esquire, Los Angeles Times, The Washington Post, Literary Hub, The Boston Globe, Tin House, and numerous other publications.

The Thrill of Rupture with Two Irish Poets (on Trevor Joyce’s Conspiracy and Randolph Healy’s The Electron-Ghost Casino)

To be online, especially very online, in recent years means receiving an intimate, seemingly infinite delivery of disparate conversations and media, some intersecting or repeating, all alongside hot takes, a comment on something linked from elsewhere, and then a joke, …

Marthine Satris is a writer and editor living in Oakland, California. Her prose and poetry have been published in Zyzzyva, The San Francisco Chronicle, Contemporary Literature, The Irish University Review, Flyway Journal, and other publications. She is also the associate publisher at Heyday, a nonprofit publisher dedicated to place-rooted nonfiction that centers California, and a regular contributor to Oakland Review of Books.

on On Becoming a Guinea Fowl, directed by Rungano Nyoni

One of the most arresting images in On Becoming a Guinea Fowl, the second feature by Zambian-Welsh director Rungano Nyoni, arrives in the opening seconds. A Black woman sits in a car facing us; a bedazzled headpiece conceals her …

Tope Folarin, Georgia Review critic-at-large, is the executive director of the Institute for Policy Studies and the author of the novel A Particular Kind of Black Man (Simon & Schuster, 2019).

If I Won the Lottery

Beverly Buchanan (1940–2015) was born in Fuquay, North Carolina, and raised in Orangeburg, South Carolina. She studied at Bennett College, trained in medicine and public health at Columbia University, and took classes at the Art Students League before leaving her public health profession in 1977 to pursue art full-time. For much of her artistic career, Buchanan lived in Georgia, first in Macon and then Atlanta, before moving to Athens, where she lived from 1987 to 2010. In her lifetime, Buchanan received major honors including a Guggenheim Fellowship, an NEA Fellowship, and the Anonymous Was a Woman Award, and her work is held in leading institutions such as the High Museum, the Metropolitan Museum of Art, the Studio Museum, and the Whitney. Major retrospectives include Shack Works and the posthumous exhibitions Ruins and Rituals, I Broke The House, and Weathering. Beverly’s Athens, her first major solo exhibition in the city, runs January 17–March 21, 2026.

that spirit in spite of / now like it was

some dreams hang in the air
like smoke. some dreams
get all in your clothes and
be wearing them more than you do and
you be half the time trying to
hold them and half the time
trying to wave …

Bryn Ashley Evans is a poet from Decatur, Georgia. She received her BA in art history and African American studies at Columbia University and is a PhD candidate at Stanford University, where she studies Southern Black art and performance. Her writing has been published in Burnaway, Studio Magazine, Callaloo, and Frieze.

“A Little Shortness of Breath”: The Open Black Body as Southern Landscape

Beverly Buchanan’s varied body of sculpture, painting, land art, writing, and more trouble separation—blurring distinctions between art object and body, art object and environment, art object and process. Among Buchanan’s many dozen shack sculptures, Mr. Robert Mathis’ Yellow Root House

Patricia Ekpo is an assistant professor of African American and African Diaspora Art at Cornell University. She works at the intersections of black critical and feminist theory, art history, and psychoanalysis to interrogate the role of antiblackness in constituting space, body, gender, psyche, and subjectivity. Her work has been published in Parapraxis and Studies in Gender and Sexuality.