Jessie LaFrance Dunbar specializes in nineteenth- and twentieth-century African American and African Diasporic literatures; she has secondary interests in Russian and AfroCuban history, literature, and cultures. Her current book project, “Democracy, Diaspora, and Disillusionment: Black Itinerancy and the Propaganda Wars,” suggests that scholars recalibrate the earliest notable era of Russian influence on African American politics from the twentieth century to the nineteenth. An assistant professor of English at the University of Alabama at Birmingham, she carries a secondary appointment as assistant professor in African American Studies.
Khadijah Queen is the author of five books, most recently, I’m So Fine: A List of Famous Men & What I Had On (YesYes Books, 2017). Her verse play Non-Sequitur (Litmus Press, 2015) won the Leslie Scalapino Award for Innovative Women’s Performance Writing, which included a staged production at Theaterlab NYC. Her next poetry collection, Anodyne, is forthcoming in 2020 from Tin House. Individual works appear in Fence, Poetry, Gulf Coast, American Poetry Review, and elsewhere. She is an assistant professor of creative writing at University of Colorado, Boulder, and holds a PhD in English from University of Denver.
Barbara McCaskill is a professor of English at the University of Georgia and associate academic director for the Willson Center for Humanities and Arts. Her latest books—both with the University of Georgia Press—are Love, Liberation, and Escaping Slavery: William and Ellen Craft in Cultural Memory (2015) and the forthcoming The Magnificent Life of Rev. Peter Thomas Stanford: Transatlantic Reformer and Race Man, co-edited with Sidonia Serafini and Reverend Paul Walker. She is the 2019 recipient of the Lorraine A. Williams Leadership Award from the Association of Black Women Historians for mentoring and fostering the professional growth of Black women scholars.