Diabetes [winner]

My Daddy dies and I immediately launch a cake
into the firmament, but not before taking a big bite.
The person filming Daddy’s funeral flips their phone
sideways and jokes about the panorama required
to capture a lion’s mane. The way nothing is wide
enough to capture this fat coffin. Under me lies
a body ready for worms. Above me circles a spirit
who resists this dimension and its claustrophobia.
Each day, I have the same problem: rationing insulin
and estrogen. If only my body were an aperture
for the things I desire to store. If only Daddy retained
his sight and avoided the embarrassment of confusing
an expensive t-shirt for a washcloth. The mirror’s
small-space ego is too obvious when I Ooo La La
at the weight I’ve lost, the inches my hair has grown.
The day I confused the squeak of an undertaker’s
wheelbarrow for a giggle is the day I realized grief
is overwrought with the promise of intimate pain.
I’m always thinking of Darwish: This grave isn’t your
grave. Everything reveals itself to me in candy stores.
Notably, the gore of chewing clumps of black licorice
the size of toes.

 

Mercedes Rodriguez is a poet and educator from Los Angeles. Their work appears in New England Review, Washington Square Review, MQR Mixtape, The Los Angeles Review, and elsewhere. Their work has received support from Bread Loaf, Millay Arts, the Stadler Center for Poetry and Literary Arts, and the Charleston Literary Festival’s Cato Fellowship Prize. They hold an MFA from North Carolina State University and serve as program associate for the Bucknell Seminar for Undergraduate Poets.