Forty-Two
Somehow related to having entered my fifth decade of life,
childhood memories have started flooding back at odd moments.
Yesterday, I suddenly remembered a blue wall with white clouds
that a bunch of us kids were painting white so that the clouds
were just wall colored, or perhaps so the wall became cloud colored.
I felt the weight of the roller in my small hand, remembered
the feeling of the paint as it squished its whiteness over the blue.
I remembered a packet of novelty matches at a gift store in London,
the aisles of the store filled with toys and souvenirs, one plastic match
springing out like a penis, a glimpse of the pornographic that was
mostly hidden in the nineteen-seventies. The memories come unbidden,
little glimpses of a larger scene as I turn a corner, a tactile sensation
long gone as I try on clothes or start making lunch, relics of a past
so far gone as to be alien or unavailable, though some of the shames
still sting, and some triumphs return with a shock of pleasure.
Stan died yesterday, so it’s no surprise he’s been coming back to me
all day, memories of his office door with conference sign-up sheets
or the way he sat at my thesis defense, or the way I would work
myself into a hysteria about whatever poem I was about to show him,
my fears that it would be insulting or obscene, and how he
would calm me down, every time, unshockable by anything my still
adolescent self considered a terrible violation of decorum. The last time
he saw me, and this was recently, not decades ago, he said,
“You done good kid,” and someone might point out that I said
“the last time he saw me” and not “the last time I saw him” as though
I’m telling you a story about him and not a story about me, as though
I live my life as though I were not the person at the center of it.
The past used to come up only when it made sense, like the time
I apologized to a doctor for my very small veins, just before a hernia exam,
and the doctor smiled at me with the kindly puzzlement I love him for,
and said, “I’m not feeling for your veins,” at which point
I did remember the doctor who told me I had very small veins during
a hernia exam, when I was fourteen, and how he apologized for spending
so much time with his fingers in my scrotum, and how I slowly became
erect, embarrassed at my lack of self control, and hoping that
the mandatory second adult in the room wouldn’t tell the other
Boy Scouts that I’d gotten hard during the exam, but now it seems
more likely that he wasn’t going to let go of my balls until he saw me
hard, and I wonder why he lied, and if all the boy scouts of Troop
Four Forty Seven share the same secret, or if he was just especially curious
about my penis, and who that second adult would have told
had he thought that this doctor, father of one of the other boys,
was giving hernia exams that seemed to result in a surprisingly high rate
of erections, unless it was just me, and I wonder why that doctor
lied about veins like that, a stupid lie, one easily caught, even though
I didn’t catch it until decades later, in the form of me apologizing
for something that was never even really wrong with my body.
My mother warned me that when I had children, all of my traumas
would come back to me one by one, as I watched my children
live through the ages of whatever had hurt me, but I never had children,
so maybe that’s why these memories are coming back now, in a giant jumble
of unrelated scenes and glimpses, like the white clouds on a blue wall,
or the way I would go through the hotel with the maids and leave
orange sodas in the fridge, and chocolates on the pillows, back when
orange sodas and pillow chocolates were the most indulgent treats
I could imagine the world had to offer. Stan would tell me stories
about his life, and I loved them, in a way I was too embarrassed
to tell him. I loved the stories about his refusing to sign a loyalty oath
and losing his art scholarship, and the stories about the not quite
step son giving his girlfriend so much trouble. I thought
that I would never have such important stories, and the truth is
that I don’t. I’ve never made sense of my life. I’ve never had a clear
story, where I’m the hero at the center. What comes back to me
is disconnected and irrelevant, anecdotal and sensory, a wall,
a matchbook, a foot massage, a hernia exam, the feeling of the ceiling
against my back when I was being punished. I miss you, Stan,
the way you were never shocked, the way you never aged,
except to let your beard grow steadily whiter, how you seemed
to know exactly who you were and what you thought was right,
and how even if it wasn’t true, you looked so solidly at the center
of your own life, a kind of sun, holding everything around you
in place with your gravity, and how I was sure that would never
quite happen to me, how I feared I’d never fully make sense,
even to myself, but how it reassured me, that as long as someone
knew how to live, it would be ok if I never quite figured it out.
_____
This poem is included in Self Portrait of Icarus as a Country on Fire, forthcoming from Red Hen Press in 2024. Reprinted by permission of the publisher.