Longing for the Sacred, and Shorting It & NYE, 2024

 

NYE, 2024

As soon as it takes power, the Nazi government offers the German proletariat sport and transport. No more riots, no need for much repression; to empty the streets, it’s enough to promise everyone the highway.

—Paul Virilio

 

I.

 

I won’t be

lyrical tonight, so pass 

the dark chalice, a Tiny 

 

Vipers record sounding a

 

way in another room, 

Life on Earth only

just making it

through 

 

the walls

 

as the first quarter 

of the 21st century spins out, 

 

having hardly spoken for itself

much less anyone else. 

 

It’s all ending

again. The year, or

the cartoons

 

substituted for memory. 

 

I’m thinking not

of the chassis itself

 

but the Google Ngram 

thereof. A small, two-ridged 

mountain that climbed 

 

across the opening

 

decades of the 20th century

to peak in the 1950s (like

oil never would). Mean

while, the machines,

 

comfortably set

upon their frames,

 

rolled on, locked organs 

gently fuming to themselves

 

beneath metal 

hoods and aprons.

 

 

 

II. 

 

It’s a very late

conclusion, one

about capital and 

the punishments thereof,

 

but the frame

 

hardly frames

at all. 

 

It’s not the rapidity of light

that we see

 

but the abrupt, apparent

plenitude

 

of what formerly 

in the dark

 

hardly existed. 

 

I’m thinking

the precipitous decline of 

“chassis” 

 

on our tongues

 

is not unlike 

the proliferation

of “streams” in our lives,

 

the endlessness of mal 

content and 

 

the actual reservoir, 

poisoned.

 

So is obscured

the rising

tide

 

that slits

all throats. 

 

Big Data 

for lives made small,

 

pockets loaded 

with Africa and mouths

 

pouring light.1

 

 

 

III.

 

The years, like the sentries,

are coming.

 

And the state? O, the state 

 

will have kept us 

hungry, kept us cold, 

 

AI having eaten

its fill of fuel.

 

But there is love, and our lives, 

if they are, are 

not small.

 

Or just what

Baldwin said, it’s 

nothing personal, that 

incompletion of 

being 

 

alive. The hive 

which speaks the flower speaking 

the soil which spoke the night in perfect

arousal for the day-broken yolk not of screen

light but that dailiness, planetary revolution. 

 

And so, in 

sofar 

 

as revolution

is repetition, there is that 

love for which you too would surge

at any barricade, imagining it the last.

 

It was either a sunflower or 

your face, but once more 

and then and there 

 

again: 

 

life is not small.

 

I held whichever in my hands 

and became a world entire. 

 

 

_____
1. This line repurposes language from Benjamin Bratton’s The Stack: On Software and Sovereignty. He writes, “now billions of Earthlings carry little bits pieces of Africa around with them in their pockets.”

 

Knar Gavin is an educator, song-fiddler, and community defense organizer living on unceded Lenni-Lenape lands in so-called Philadelphia. They are committed to anti-capitalist struggle, abolition, and, most urgently, Palestinian liberation. Recent poetry has appeared in Notre Dame Review, Antiphony, Etcetera, Annulet, the tiny, River Styx, and Diagram.