Decluttering before we first moved in together,
my lover asked herself, Do I want to take this
with me into the ground? At her funeral, visitors
would marvel at the glittering open casket, her precious
body cradled in a bed of shining trinkets. Nestled
against her elbow, a crystal sphere arcs rainbows
over the tufted satin lid, into its gathered ruched
shadows. She has been dressed in a charcoal
suit, well-tailored, the one I chose; her face a rose, mortician-
pinked in her natural sweep of blush. She’d explained
to me as we packed that day how her mother had said,
Your father gave me this—and handed my love
a figurine, a glass flower, an egg, a goose—before he died.
And my beloved took them, one by one, into her gentle
palms, each talisman filling shelves and boxes
even now. I have just as many. Her body floats,
a buoyant skiff in a pool of fragile, shining things:
the golden curl on a Fabergé egg echoes a single ringlet
cast across her brow. Because someone purchased
a small token of love and because she accepted, now,
at her side, I am moved to take each knickknack in my hands,
one by one. I press into my palm the rounded star
of a glass poinsettia, feel the pistil’s yellow nudge, then slip it in
my pocket. A thumb-sized teddy bear grasps a spray
of baby’s breath, a porcelain turtle grins from its amber-green
shell. I need them. I am now causing a scene, wanting
only something to remember her by, just a few
things to take into the ground with me, just something
to remind me, when I hold it, firm in my sweating palm,
that she held it, too, that she was once as solid
as a glazed clay frog, that we were once
so in love I could sit in her palm to be adored.
_____
I first met Minnie Bruce Pratt through a class visit to her archive. As a teacher of high school writers exploring process, I watched those blazing magenta pages of Pratt’s typewritten drafts blossom into my own teacher. When I read S/HE, I found a map of the complex terrains I had been trying to navigate. At that time, Pratt’s words formed one of the small voices that guided me out of the closet. My work, also begun later in life, explores how being partnered with men for decades, shifting gender presentations, and experiencing intimate partner violence continue to impact my lived experience as a lesbian. —A.G.
Memento Mori by Alexa Garvoille
Fimmene, Fimmene by Jessica Rae Bergamino
Bayou La Terre by Stacey Balkun
Become, or whatever marriage is equal to is not nearly enough by Alexis Pauline Gumbs
Never the Devil’s Advocate by Margaret Randall
