Stitching; Analysis; Ode; & Naïve

Naive

 

Dark blue clouds dot a pale blue sky in that false way

that signifies beauty. My brain topples over

 

like the red brick house in my hometown: there

was a fire and the whole family died—but I do not wish

 

to begin there. Where do authentic beginnings lie

save for in birth? I do not give birth. I have no daughters.

 

I only write this with claws like the claws of the bluest

bluebird—I saw him this morning—and he was clawing

 

at his face until his face became bloody like shins

in summertime. Last night, I dreamt that the blood

 

gave me more material. It was textured like a boat of gravy.

They say beginnings lie in names. I have listed the names

 

of the ones I love and am trying to photograph them all.

I wish to carve their eyes and noses into more experimental

 

territory. My loves! In this new city where you do not live,

I am staring at a bizarrely blue mountain range. I have been trying

 

to cross this road like the chicken in the popular joke,

but Subarus keep whizzing by. The sky is a table. I fold

 

my hands on top of its glassy surface and recall my mother

more accurately. She gave birth to me and now I have a body

 

I loathe in its grotesqueness—the way it loosens,

hangs. Memory in the present tense cannot exist,

 

which is why I am lonely: in the nightmare, I pretended

to read in front of the ones I love, but the book was upside down.

 

The word from now on is lonely, as old-fashioned

and boring as the word has become. The cost of the word is free.

 

Tonight, my loneliness blooms like a forest fire. Hush! Finally,

I call memory for what it is: shroud of the bluebird’s feathers.

 

Loisa Fenichell’s work has been nominated for a Pushcart Prize, Best of the Net, Best New Poets, and other awards. She has been featured or is forthcoming in Poetry Northwest, The Iowa Review, and other journals. She is the author of Wandering in All Directions of This Earth (2023), winner of Ghost Peach Press Prize, selected by Eduardo C. Corral, and a chapbook, All These Urban Fields (Nothing to Say Press, 2019).