The Night Is a Clock Chiming & At Sea Inside the Body of Rizal

 

The Night Is a Clock Chiming

 

The night is a clock with eyes

chiming in another language. 

Lonely husband, your eyes 

 

remake my being, and how we 

look from where we stand. 

You from a caesura of loss 

 

standing and holding our gaze. 

We do this until our vision blurs. 

Time is someone’s back 

 

blocking our view, 

which is now a throng 

of old people in coats and hats. 

 

Time winding into a burning 

river, in a city on fire 

and then into a stubborn mountain

 

that refuses to move an inch. 

Time was not the answer, 

even if it towered over us.

 

Trusting my dreams, I began to walk 

beyond the mountain. I kept looking 

at things I could touch: 

 

pebbles on the ground, olive pits, 

gum wrappers, a leaflet 

with the stenciled face of Mao. 

 

I held my gaze at two black 

stones in my hand 

until I developed a new method 

 

of hearing. And there you were again. 

My darling, darling, darling—

I could see you shining plainly 

 

with your crown of light.

My hand in your hand, and time 

moving below the bridge 

 

and on the bridge as we drift

along the river of babel 

and disappear into the flood.

 

 


At Sea Inside the Body of Rizal

 

The bullet blossomed like a June bride

and decided to take up residence 

as a beautiful amendment 

 

to this body’s constitution. The bullet 

will not work a double shift at Target.

The bullet which has made itself

 

unavailable to servitude—operates on

a fuzzy logic that connects the living to

the manifestation of a great upheaval. 

 

That as a bright star, it cannot 

be aligned like the planets. A star 

destined to be torn asunder 

 

like a house divided, or nightfall 

on a traffic snarl. If you hear it coming, 

think of a song with a weak

 

zeeping lisp of a mechanical bird.

Think of a bot with a heart of gold 

flying south propelled only by 

 

a selfless desire for pause and rest 

from a world of unspeakable pain, 

diving into a pool at a desert resort.

 

Eugene Gloria is the author of four books of poems—Sightseer in This Killing City (Penguin Random House, 2019), winner of an Indiana Authors Award; My Favorite Warlord (Penguin, 2012), winner of an Anisfield-Wolf Book Award; Hoodlum Birds (Penguin, 2006); and Drivers at the Short-Time Motel (Penguin, 2000), a National Poetry Series selection and winner of an Asian American Literary Award. He teaches English and creative writing at DePauw University.