The Water Table; Sunbath in May; A Five Hour Drive; & The Last Rebirth

 

The Last Rebirth

To fix attention on the dead

and not let us wander off

a clamp shuts in the chest.

Lights grow faint and more numerous.

There’s only the looking in.

 

Your palm                     

beneath the outer map of skin

has an old wound badly sewn up

with ordinary white thread

healed in an ugly welt

that opens while you look.

 

Inside the hand, a host

the small image of a man

wrapped in membrane like a toy

that’s been buried in the earth.

You’ve been tending him for years

within your body

loving the bare backs of women

placing your right hand in cold streams

for him, and now you know why.

 

What world you’ve known, the sky itself

is densely rooted and nerved

here in this icon

your one true pregnancy

still on the bloodvine like a melon

perfecting its stripes

with seeds and memory.

 

The dead are way ahead of us, thank God,

at the clean wooden tables by the waterfall

in the permanent mist

talking however they do

without using metaphor.

 

Left behind we meditate on something,

on a pair of pliers

changing the bite, open and shut.

 

Wind ruffles a quilt

slowly through a week of weather.

A crowd with all ages dancing, hands in the air

come to the presence of trees where each

inside himself rejoices

like fish in shallow rapids

or any other sign

say the edge of a door

or a man running down a flight of steps

signs the last rebirth

hasn’t yet begun.

 

Coleman Barks, professor emeritus at the University of Georgia, has since 1977 collaborated with various scholars of the Persian language (most notably, John Moyne) to bring over into American free verse the poetry of the thirteenth-century mystic Jelaluddin Rumi. This work has resulted in twenty-one volumes, including the bestselling Essential Rumi in 1995. He has also published eight volumes of his own poetry, including Hummingbird Sleep: Poems 2009–2011 (2012) and Winter Sky: Poems 1968–2008 (2008), both from the University of Georgia Press.