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Fall 1980
Table of Contents
Essays
American Theater Watch, 1979-1980 Authors and Authority in Interpretation Calcutta: Notes on a Homecoming Limits, Myths, and Morals Parabiography: The Varieties of Critical Experience The Fates of Interpretation The Rebirth of Greek Tragedy and the Decline of the Humanities
Fiction
28 Hours in an Open Boat by Stephen Crane
Poetry
Feeding the Stranger’s Fire Last Words to James Wright Old Man Thinking of Small Breasts Projection: Milk and Memory The Still Lifes of Giorgio Morandi The Tomb of Stéphan Mallarmé
Reviews
Is Literature Still Worth Discussing? (on Critical Understanding: The Power and Limits of Pluralism by Wayne C. Booth) on The Harvest Festival by Sean O’Casey on The Inadvertent Epic: From Uncle Tom’s Cabin to Roots by Leslie A. Fiedler on William Carlos Williams and the American Scene, 1920-1940 by Dickran Tashjian Painting, Picasso, and Politics (on About Looking by John Berger; The Success and Failure of Picasso by John Berger; & Ways of Seeing by John Berger) The Untranslatable Poetry of Yvor Winters (on The Collected Poems of Yvor Winters ) The World at Hand (on Sure Signs: New and Selected Poems by Ted Kooser; This Tree Will Be Here for a Thousand Years by Robert Bly; Any Body’s Song by Joseph Langland; & The Everlastings by Norman Dubie)